Friday, November 8, 2019
How You Should Be Launching Your Books
How You Should Be Launching Your Books How You Should Be Launching Your Books in 2015 - An Interview with Eliot Peper ââ¬Å"For someone who loves a book, what would make their day? What would make them happy or make them think of it again or think that itââ¬â¢s cool? Iââ¬â¢m always struggling with that.â⬠This is a quote that defines startup-fiction author Eliot Peper. He writes for his readers and would do anything to make them happy.Dedicated readers here at the Reedsy blog may recall that we interviewed Eliot back in July of this year, a few months after the release of his first ever book, Uncommon Stock. If you do, you might also remember the mood in which we left the interview: ââ¬Å"Eliot Peper is the nicest man in the world.â⬠Heââ¬â¢s a great, positive guy to be around, and overflows with excitement not just when heââ¬â¢s talking about his writing, but also the aftercare of publishing and promotion.So weââ¬â¢ve brought him back again! And what better day for it than today, for the official launch of the second book in the Uncommon series, ââ¬ËUncommon Stock: Powe r Playââ¬â¢! Whatââ¬â¢s changed for Eliot since he launched his first book? One one hand, a lot: the first book was a real success and garnered some fantastic reviews. On the other hand, not much: Eliot stays true to his credo: ââ¬Å"At the end of the day the people who read my books, my actual readers, they just want the next bookâ⬠.How do you successfully launch a book? How do you connect with readers? How do you work hand-in-hand with your publisher to spread the word? All this gravitates around the fundamental notion of ââ¬Å"creative marketing.â⬠If youââ¬â¢re a writer, the big takeaway from this interview is that promoting your book isnââ¬â¢t something to be afraid of. Itââ¬â¢s not, as Eliot put it, ââ¬Ëa black box.ââ¬â¢ You need to approach it as a creative challenge, just like you would writing a book. You donââ¬â¢t need to worry about doing what everyone else is doing - in fact, marketing, just like writing, just like anything creative, ma rketing is one of those disciplines where you win by breaking the rules, by being bold, by experimenting. If you think of something that sounds cool, that sounds interesting, like itââ¬â¢s something you havenââ¬â¢t seen done before - thatââ¬â¢s a sign you should give it a try. Because, generally, those are the people you remember.As the saying goes, ââ¬Å"hereââ¬â¢s to the crazy ones.â⬠I recommend you first read our previous interview with him and then put your headphones on, grab a cup of coffee, and join our hangout here. For the unconditional lovers of the written word (like myself), Iââ¬â¢ve transcribed below some of the most insightful parts of the hangout. REEDSYApart from granting us this great interview, what are you doing for the launch of Uncommon Stock: Power Play?ELIOT PEPERWeââ¬â¢re trying to line up a bunch of fun stuff. Book launches are interesting, and particularly for fiction, because itââ¬â¢s not obvious what a book launch should be. Many authors, aspiring authors, or readers sort of assume that if you work with a big publisher, they have a big marketing plan ready for you: maybe youââ¬â¢ll have billboards on the subway, or maybe youââ¬â¢ll be in a private jet flying around the country to do book signings or stuff like that.Obviously, that doesnââ¬â¢t really happen. But even the less sort of over-the-top versions either donââ¬â¢t happen, or donââ¬â¢t work very well. I have a friend who published a major business book this year. They had a lot of traditional marketing behind the book; they actually had billboards and stuff like that. And they were still frustrated, they actually felt that it didnââ¬â ¢t really allow them to capture new readers.Of course, for non-fiction itââ¬â¢s a little different, but for fiction, itââ¬â¢s actually pretty simple. The way that I try to think about our launch efforts, and the way I then try to work with independent publisher, FG Press, is to consider the bookââ¬â¢s launch from the readersââ¬â¢ perspective.Itââ¬â¢s very tempting to thinking of it from the publisherââ¬â¢s perspective ââ¬â and that equally applies to the authorââ¬â¢s perspective if youââ¬â¢re self-publishing ââ¬â to think through ââ¬Å"How would I want to get the word out.â⬠But that doesnââ¬â¢t work very well. Really, what you need to think about is: ââ¬Å"Why do readers check out new books in the first place?â⬠Those are the people that you are trying to reach.Now, I am a voracious reader ââ¬â I read dozens and dozens of books a year ââ¬â and I know that, especially for fiction, the way that I discover a new author, a new seri es or a new book is because someone recommends it to me. Itââ¬â¢s really straightforward. A friend says: ââ¬Å"Hey Eliot, à I just read X and you would really like it, so you should probably check it out.â⬠And I do the same - if I read a book I really like, and I know I have a friend who would get a kick out of it, I let them know. A couple of books I recommended this year are Whisky Tango Foxtrott, by David Schaeffer, which is great; The Martian, by Andi Weir; The Magicians, by Lev Grossman, which I just got into even if it was released back in 2009â⬠¦ Thatââ¬â¢s how many readers discover new books. à So when we think about what a book launch even means aside from just allowing people to buy it, we try to think about it from that point of view.For example, this conversation is great because there are people who are following Reedsy and who are interested in becoming independent authors, who think about what it means to be an independent author, and if they get a kick out of this conversation maybe they are going to go check out Uncommon Stock, right?One thing that is also definitely worth mentioning is that today, the book Uncommon Stock 1.0, the first one in the series that we released back in March, is actually free on Amazon. It is free today, tomorrow, and Friday. So you can check out the story for free, and if you like it, do me a solid and leave a review and buy the sequel! Thatââ¬â¢s a fun experiment that weââ¬â¢re doing. In addition to that, over the past six weeks weââ¬â¢ve been releasing the entire first book serially on Medium, which is a sort of new blogging platform. We broke the book up into 10 parts and weââ¬â¢ve been releasing each part along the way, so you can follow the story (one new part comes up a week). Right now, weââ¬â¢re about to release part 6, and by the end of the year the whole book will be available for free on Medium, forever.REEDSYExactly, and I think that most of the successful authors we s ee out there during the marketing. I can recall you interviewing Joanna Penn on a similar Hangout a few weeks ago; and I see Joanna at a lot of conferences and events. Basically, these conferences are a way for her to get her message across, let people know about her, her blog, her advice, etc. and she always seems to have fun doing it.So I think lots of authors see marketing as a hustle, when it should be seen as something to experiment and get creative with, just as youââ¬â¢re doing.ELIOTYes, I think Joanna does this phenomenally well: sheââ¬â¢s found a niche where her message is also relevant, thatââ¬â¢s why people want her to speak at those conferences. And authors can do that in different ways. Hugh Howey for example has been writing a lot about the publishing industry, as do a number of author authors. Youââ¬â¢re going to attract different people by writing about different things.But you know, hereââ¬â¢s an example of something fun: I was recently in Boulder to visit with FG Press, and we recorded a series of video interviews where I spend 20 minutes just talking to each member of their team about what they did to make the book a reality. I talked to their editorial director about the editorial process for the book, what it looked like behind the scenes, to the designer about typography and cover design, etc.And that second interview has an interesting story: for the cover design, itââ¬â¢s a top-down still-light photo of a laptop with a cappuccino, a book and a handgun on the table. It looks pretty cool, Iââ¬â¢m really happy with it. That was our concept and FG Press actually did the photoshoot. Theyââ¬â¢re in Boulder, which is this nice little mountain town. So they got a gun, and went to the different coffee shops around the office, but none of the coffee shop owners would allow them inside with a gun! And that became a huge problem because they really wanted to have a nice ceramic cup with a cappuccino in it and a nice drawing in the foamâ⬠¦ So if they couldnââ¬â¢t bring the gun into the coffee shop, how could they bring the cappuccino in the cup to the gun, without the latte on top degrading?In the end they had to come up with this system where they had to have everything ready in their office to take the picture and then rush the cappuccino over there. So itââ¬â¢s cute, you know, it makes for a really interesting story.Also, they re-did the cover for Uncommon Stock: Version 1.0 as well. Youââ¬â¢ll notice that it has these leaves in the background, thereââ¬â¢s a knife and a backpack, and this burning paperwork. Well, that burning paperwork are real termsheets from Foundry Group that they actually issued to Mozaik, per that press release that we were mentioning.So they went outside, they were on the street in Boulder, collected leaves from the whole neighborhood, made this whole setup, and started burning the termsheets under the camera taking a time-lapse (see below). Obviously, people we re stopping, looking at that and asking what the hell they were doingâ⬠¦So the good thing with these little stories is that if you pick up the book, youââ¬â¢ll think (hopefully) ââ¬Å"oh, thatââ¬â¢s a nice coverâ⬠. And then you read it and you think ââ¬Å"oh, thatââ¬â¢s a cool bookâ⬠. Well, if you liked the book it might be fun for you to know that background story, itââ¬â¢s like a ââ¬Å"behind the scenesâ⬠for a DVD extra.Now, weââ¬â¢re going to be able to show these videos, and you could call that marketing, but it is certainly not how it felt! We didnââ¬â¢t feel like we were trying to sell something, we were just thinking: this is a funny story, letââ¬â¢s talk about it.REEDSYNo, absolutely. And Iââ¬â¢ve heard of something similar that some authors do: they intentionally cut scenes from their book ââ¬â often also because the scene wasnââ¬â¢t 100% necessary or relevant ââ¬â and release that scene a few months after the bookâ â¬â¢s launch to keep readers engaged, which I think is very important.Now the great thing for you now is that for this second launch, you already have an established reader base, right? So how does that change things?ELIOTOh yes, thereââ¬â¢s actually a number of dynamics that this changes and which should be very obvious but I havenââ¬â¢t really been thinking about. Like, in the beta process of writing the second book it felt very different from writing the first. Because when writing the first, nobody cares, itââ¬â¢s really just youâ⬠¦ When writing book 2, you feel more like youââ¬â¢re writing for an audience, because there are these people whoââ¬â¢ve been leaving reviews on Amazon for the first one and are waiting for the second one.And thatââ¬â¢s true on the launch end too. For example, hereââ¬â¢s something that I think every author should do, especially if youââ¬â¢re writing a series: I went on Goodreads, a book review platform, and also on Amazon t o check the reviews of the first book. Now, on Goodreads, you can actually message the people who leave you a review. On Amazon, you canââ¬â¢t do that, but you can comment on their review. So I went through these, and for every reviewer who liked the book, I messaged or commented them and said: ââ¬Å"thank you so much for sharing your thoughts on the book. As a writer, that really makes my day because I get feedback from people and it seems you got something out of the book so itââ¬â¢s really rewarding to know about it. If youââ¬â¢re interested, Iââ¬â¢d like to thank you by offering you a free Advanced Review Copy (ARC) of the sequel.â⬠Because these people have already proved that theyââ¬â¢ve liked the first book enough to leave a review, so getting a direct message from the author offering you an early version of the sequel, thatââ¬â¢s pretty awesome, right?And I was really shocked at the results. Our ââ¬Å"conversion rateâ⬠(the number of people who r esponded to that) was extremely high. So Iââ¬â¢m hoping, now that they have the ARC and have read it, that when the book comes out theyââ¬â¢ll write another review and share it with their friends. Being able to do that is really something that makes the second launch different from the first one.REEDSYThanks for your time Eliot.
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